you start saying things like "I remember back in [insert year more than a decade in the past] I saw [insert name of now-successful band] at [insert name of tiny obscure club], and now [insert cranky old person complaint]."
Well, back in the mid-90s in Memphis there was a sort of garage punk band named DDT, which stood for Dickinson Dickinson Taylor, which stood for Luther Dickinson, Cody Dickinson, and Paul Taylor. And then the father of the Dickinson boys, eccentric record producer Jim Dickinson, moved the family out to Hernando and the boys went to hear Junior Kimbrough or something like that, and they decided to start doing more of a blues thing. They changed their name to the North Mississippi All-Stars. And then somewhere in there Paul Taylor left to go on tour with Big Ass Truck, and the Dickinson's replaced him with gospel bass player Chris Chew.
They played my neighbors' wedding. In their back yard. They played at the Antenna Club with R.L. Burnside. One of my very first writing assignments involved interviewing the Dickinsons for the second-best free publication in Memphis. They invited me out to their place in Hernando. I asked them some stupid questions and then we watched wrestling with Jim Dickinson, who gave a fairly rehearsed soliloquy about the greatness of professional wrestling. It was very cool. I had a crushlet on Luther. I wrote that Luther was probably the best young guitarist in Memphis, which was probably true.
Now they are semi-big semi-stars. Or at least they can pack Tipitinas at $25 a head. They look the same. Same hair. Luther looks like maybe he could be in his 30s, but Cody still looks like he's 19. They have only gotten better, of course. Luther is the awesome. Cody's a great drummer plus he seems so preternaturally cheerful all the time that you can't help but like him.
But still, I can't listen to them for more than about a half hour. They're relentlessly set at one pounding setting. They're not really a band of many moods. They have some new songs, but they sound a lot like the old songs that they're still playing the same way they played them ten years ago. And none of them can really sing worth a shit. Back in the day they had a girl named Kelli-something who sang with them sometimes and really added a lot.
So I paid $25 and I stayed for about 45 minutes and I didn't really enjoy it. The crowd was mostly frat-boy douche-bags (to use their pejorative) and hippies (at least I got a free high from breathing the air). And Tipitina's might be world-famous, but it's not really such a great venue. And I knew ahead of time that I wasn't going to have a great time but I felt compelled to go anyway, for old times sake, despite the fact that it wasn't really in the budget. But if I thought I was going to have some cathartic experience or gain some insight into the past, it didn't happen. Or maybe the experience was realizing that I don't need that experience because I'm really over all that.
In a sort-of related development, I exchanged emails with my ex-husband this week. It was the first contact we've had in more than eight years, and it was a total non-event. Even with the potentially volatile reason I had for contacting him: on the bar exam application, you have to disclose everything you ever did in your life, particularly if it was bad. I don't have a copy of the divorce decree, and I can't even remember exactly when it went through. Some time in 1995, I think. He doesn't remember either and doesn't have the paperwork anymore.
Also, I recently heard Jim Dickinson on the radio, serving as the band leader for some Mississippi version of the Prairie Home Companion (sorta) called Thacker Mountain Radio. It was pretty good but nothing to swoon over.
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